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The White Elephant
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The Hurting Blog
Tim O'Neil writes: "The creators’ willingness to take some very interesting risks with the material bodes well for their future endeavors – its always a good sign when young cartoonists are eager to explore the formalistic constraints of the medium. That tells me that despite the somewhat mixed results on display here, these two creators are already thinking about the medium in terms of a long-term creative engagement."
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Paperback Reader
Erin Schadt writes: "Most books, comics or not, you may read once and later remember the general plot or a feeling you had while reading it, but this one will stick with you. This is a book not to be forgotten once read, and I encourage everyone to read it."
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Pop Matters
Ryan Paul writes "Hurd's goal, however, seems not to be to explore such experimental and avant-garde structural concepts, but rather to maximize the storytelling potential of the medium. As his work on The White Elephant shows, there is far more to the simple combination of words and pictures than many realize."
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ComixFan
Al Harahap says "This is a graphic novel that lives up to the loftiness of that term. This is art, this is literature. There is a level of emotional reality and truth that is touched here, again and again, that makes you feel for Gene as you would care for a real, flesh and blood human being."
A Sort of Homecoming
Baraka and Black Magic in Morocco
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iComics
iComics says 'Baraka and Black Magic in Morocco is a fascinating journey into a different world.' Greg McElhatton reviews.
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Comic World News
Comic World News reviews Baraka and Black Magic in Morocco in 'Subsurface Communications' by Ed Cunard, saying 'If you can’t pop off for a jaunt through Morocco, Baraka and Black Magic in Morocco is an inexpensive alternative.'
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Comic World News
Comic World News gives Baraka and Black Magic in Morocco five stars. Michael May reviews.
Read more reviews for each of our books
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